SOUND DESIGN

Mixing

I make sure that all sounds coexist harmoniously, maintaining balance, emotion, and depth. For me, mixing is about transforming the chaos of tracks into a coherent story, as well as ensuring that they meet modern sound standards.

Sound design

I create new soundscapes: from realistic effects to atmospheres that do not exist in nature. Here, sound becomes not just background noise, but a separate character.

Sound editing

I remove the redundant, emphasize the main points, and ensure that the recording sounds clear and professional. Editing is invisible work, but the result always makes a big difference between BEFORE and AFTER.

ADR

I bring emotion back into the frame where the sound has failed. The re-recorded dialogues will sound as if they were filmed on set, and the viewer will believe every word.

Field recording

I go out into the real world and capture sounds where they are born. This is a way to give the project uniqueness and a living texture.

Interactive audio

I make sound part of the gameplay — it amplifies emotions, emphasizes the dynamics of the scene, and helps you experience the story on a deeper level. The key task is to make sure that the player doesn't just hear the sound, but experiences it together with the game.